Where we paint in August

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It’s not really all that hot here, by Texas standards. But this is California, so everyone here complains of the heat. Californians love to whine about the heat. They whine because they feel entitled to the good weather, now that they’ve spent 2 million on their fixer upper (read: they have)and because many of them, including ourselves, don’t have air conditioning. Oh God! What does one do when it’s 92 degrees outside and one can’t stay cool? You DEAL. But we deal in style. We bring the art studio al fresco, kick off our clothes, and paint like little devils.

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It’s really easy to bring the studio outside. One easel for two kids, a couple of clamps for their paper, a stool or chair for a workstand, and a big (really really big) bowlful of water underneath the easel.

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We paint; we paint paper and we paint each other. We paint the rocks and the easel, too. We paint swirls and stab paint and squish it between our toes. Tempera is a friendly medium. And when we’re finished, we wash up. A hose nearby makes a handy shower, and it splatters the tomato plants, sending tangy green-red notes into the air. That alluring smell of the garden in late summer, when everything is basking and ripening, sends us reeling; we can’t help ourselves, we spray everything: the walls, the trees, the easel, the sky. And despite the antics with the spray nozzle, we still patter into the house with bluegreen hands, streaking the hallway walls.
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Music to my Eyes

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He doesn’t have an agenda, he just wants to draw. His strokes are deliberate. Confident. I don’t believe he is attempting to represent anything in his latest series of drawings, only experiment with lines. It is immeasurable my pride as I watch him proceed from page to page, dancing with lines and pattern, like watching snow fall. It’s quiet, graceful, unrehearsed yet somehow choreographed subconsciously. Some would say this is scribbling. I call it music to my eyes.

Hidden Sickle

Hidden Sickle by Ford

Ford, when finally finished with his painting yesterday afternoon, stood back and looked at it. I stood beside him. I remarked on the different greens, how each had a different color mixed within it. I asked him about the painting, about what he was thinking about as he painted. He told me that there were images hidden inside. Could I, for example, find the hidden sickle? “You know, like Cronus’ sickle. Can you find it?”
It made me feel victorious, that he’d actually absorbed some of the stories I’ve been reading lately. And lately, we’ve been reading about the birth of the Titans, and how Zeus and his children came to be. I had gotten fed up with Pokemon and decided to take Ford’s zeal for characters and funnel that passion into mythology; this time, Greek mythology. Last year, we lurked for a while in Norse myths, but the Greek myths are hidden everywhere, like little green sickles, in the best (and in Pokemon’s case, the worst) of children’s literature and comics. They’re all a bunch of trading card characters. Like, the free kind.