Routine Assessment

Once in a while, I have a day, maybe a few days, of dysfunctional funk. Sometimes I think it’s my mind’s clever way of alleviating boredom. The day is inevitably sunny, my children are particularly joyful, my husband–syrupy kind. It matters none that he’s remarked n how beautiful he thought I looked, nor that my dinner was delicious. It matters none that I sat on the floor and played Legos with my children, made a lego woman for chas with boobs, made a rocket with Ford; nor does it matter that I rocked and read and rocked and read and read in bed with happy pillows tossed at my head, midafternoon. It isn’t enough that I was able to watch them paint in the garden, watch them paint their toes, then their feet, their legs, their tummies: a robot here, a Dalek there, a rainblow of tempera-covered rocks beneath a wet easel. Smiles, laughter. Running, oh the running: unhinged and impulsive, a Thoroughbred on fresh green grass, and then the wind kicks up, and he bolts, breakneck, a half-eaten mouthful of grass falls at your feet. Or a string cheese wrapper.

On days like this, I pore over yesterday’s photographs. I rediscover beauty to validate my perception. See? I noticed that! I’m not dead. I SAW that!

I noticed a jumble of sea-jewels,
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a tangle of mermaid thread,
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grass, whispering along our walk
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I caught the salty smell of Chas, whirring past me on the trail
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and the soothing lull of a calm Pacific afternoon, heavy sand, horizontal bliss
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a little vertical tension.
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and the coastal summer smells of dried wildflowers, trampled ice plant, baby seal poo and low tide, trailing on the sweet sound of swaying grass and Ford, who had just told me this was his new favorite beach ever.

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So why the dull face, woman?

Just throw the ball. I’m here all day! How about you?
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we’re thinking of buying tickets to hell

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We’re a little culture starved around here, snug within the benign mycelium of silicon valley. Granted, if I’d just know where to look around here, I’d find something interesting on exhibit. But the truth is that I’m just acheing to go to a fussy art museum where I can feel the music of terrazzo under my feet and experience air conditioning without a trace of retail and ride that fabulous chase from security guard to security guard, close behind Chas, always on the fringe of expulsion as he tries to weave fast arcs around freestanding sculptures. Art is, after all, mostly about the personal experience one has with the piece, and with Chas there is no exception. He loves sculpture, it FASCINATES him to discover giant colorful pillars shooting from the ground or brushed-steel geometry shining in the sun. OH! The joy! Must scream and run circles around them all!

There’s one exhibit in particular that I’m planning on taking them to see sometime soon, the Matisse exhibit at the SFMOMA. Ford is a collage guru and I figure it might provide a springboard for translating some of his 2D work into a new dimension; specifically, creating something 3-dimensional that his younger brother might be tempted to play with (especially if it’s made of paper or papier-mache). But again, really, I’m just sad that we haven’t been able to go for so long, for fear that we might die during the struggle to patiently corral our children politely through a quiet space for art.

I think it’s more important that they experience art from a very young age for several reasons. First, I think it’s fun for them to see how some people have translated emotions or themes into art. Secondly, I like for them to understand the value and purpose behind the art process. Thirdly, I want them to grow to respect the work of others as well as their own art, because the enduring value of art is that it has the power to change the future in many ways: it can alter a person’s perspective, create controversy, quiet a restless mind, you get the idea. Lastly, I want them to evolve quickly within the rigid confines of the art museum institution so that they naturally respect that paticular environment as they would a shrine, an that is mostly because I’d LIKE TO ENJOY THE MUSEUM, TOO.

So, this weekend I’ve requested we pay the MOMA a visit, take our chances, hope for the best. There’s a book I heard about that recommends certain tips for taking 5 year-olds and older children to the museum, How to talk to children about art: is the title. As an art teacher, I feel qualified enough to come up with my own suggestions (which, in all it’s conceit, is actually true) but I’m still curious about what it has to say and am ordering it anyway.

Wish us luck! Double that for the MOMA.

Squinting in the sunshine

I am traversing the eastern slope of Fremont Open space, and I’m walking along a terrace once trafficked perhaps by laborers on this former orchard as they roamed from tree to tree during harvest. What kinds of trees? I don’t know. Today their gnarled, leafless, stunted silhouettes stand arabesque upon the hill above me, black and static amid the flowing grasses, beneath the hovering falcon. Birdsong travels like a current over the terrain, bees are busy buzzing in the clover mats, hummingbirds fighting in the treelimbs. I stop along the trail while Seti sniffs the newspaper; it’s Sunday and the weeds hang with dog pee here and there along the worn trail. The entire hillside is tense with new life. You can almost feel the warm ground quake beneath you, a mycelium overtaking winter’s rot, aerating the bedrock, paving the way for shooting rhizomes and weeds. Little yellow wildflowers sway with glossy grass. If I were to try drawing three square inches of this space I might scream; beneath the mat of green urgency lies an even tinier world, a lilliputian army of plants and fungi working together to hold the soil firmly against the hillside. A linear delight, it reminds me of Dutch painting and discovering the architecture of dandelions and drawing for hours on end, without interruption. But today I’m plodding onwards, at times tugging the dog to urge him faster, so I might get back to unpack yet more boxes, and break down more boxes, making space in the mudroom for this naked and young morning light to pour into our house and penetrate the walls with its warm yawn.