It rained. It rained all day, beginning with bright flashes at midnight and ending with a shroud of mist on Sunday. This afternoon, two days after the relieving episode, the grass is still moist. Is our burn ban over? Hopefully not; this morning Ford and Chas followed me outside to the garden, where they leaned over to watch me burn the raffia and summer grass that decorated the rim of Bird’s fishbowl. Quickly, the straw crackled into embers, and died into crumbly strings that we blew into the rosemary, which was still dewey. Before lunch, we had bought a new betta; the new one is named Angie and he is a vigorous red. Funny, I never thought to photograph the morning.

Ford got a new bike on Sunday. Electric blue, like mine, it inspired him to go very fast. We took him to the veloway, where we could ride and skate beside him for three and a half miles. Around the third quarter, his energy began to wane, and after Ford’s excessive whining, Damon reluctantly carried the squat little bike the rest of the way, while I taxied him in the bike trailer. We continued to loop for another half hour, during which I thought about my own famous fallouts. Like the time I showed up for team practice on the first day, claiming I was an intermediate rider, and spent the rest of the evening correcting myself on an overly large, very young thoroughbred who felt like a Ferrari on wet pavement. Although I didn’t quit, I did nearly shit in my pants and I definitely didn’t make Intermediate.

Yesterday, we took the boys to the Children’s Museum, where I found this:
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With the grasses outside, glorious from Fall but wet from the rain, I thought we’d make a bunch of these for a wall parade. It didn’t happen today, so we’ll try doing this tomorrow. It may even be a good idea to use them for Christmas tree ornaments next year? I want a whole herd of them…

Wee Hour Banter: Remembering to See

Writing is hard, but joy comes easily these days. I am rehashing my way through The Artist’s Way* again after a 6 year hiatus, and digging new roots in fertile soil. I’ve been drifting about for a while, tendrils outstretched, and feel ready now to grow down instead of laterally; the plant is strong but the roots are weak.

I’ve put my mind to naming the sources of joy and I’ve found that it comes from being aware of my footsteps and playing a lot. There may be events unfolding around me, but they may as well not be there when I am engaged. Being aware, I’ve found over the years, is what has given me fullness and sanity. Oddly, I ran across a passage in week 2 of The Artists Way that refers to this same phenomenon: Julia Cameron, in describing how her grandmother “made do” with the circumstances her husband left her (financial instability and a wild ride on the waves of success and failure), remarked about her mother’s capacity to be very much in the now, a reporter of life around her. Not focusing on regrets or fearing the future, she was able to immerse herself in experience, a great way to cope and remain sane.
“Attention is the act of connection,” says Julia. “My grandmother knew what a painful life had taught her: success or failure, the truth of a life really has little to do with its quality. The quality of life is in proportion, always, to the capacity for delight. The capacity for delight is the gift of laying attention.”

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How do other people stay sane? Here are a few obvious secrets:
I watched a documentary last night on a female stunt pilot, who enjoyed the way flying dangerously required so much focus that everything else slipped out of her periphery. Surely a big wave surfer feels the same way, risking his life each wave as he directs every neuron to the dynamic matter and energy thundering around him. I imagine a surgeon feels a similar zen, perhaps a more cerebral, fine-motor adaptation of the same principal, or a writer, for that matter (although, as Robert Cormier once said, “The beautiful part of writing is that you don’t have to get it right the first time, unlike, say, a brain surgeon.”).

Another way I find sanity: watching my enthusiasm of the outdoors trickle down to my kids, watching them web together information on the world around them, making connections that, in turn, connect them to earth. When I am outside appreciating the world around me, it’s infectous; I can’t help sharing it with the kids, with others. It hasn’t taken many brainstorming sessions to discover purpose behind this. I want others to see. I want others to experience and feel joy in his or her footsteps, trying to banish regrets and ignore to-do lists, even if for five mintes at a time. Little bursts of sanity provide hours of empowerment.

I think of other writers who have fostered this capacity for seeing: Annie Dillard, when she wrote Pilgrim at Tinker Creek, Anne Lammott and Operating Instructions, Rachel Carson, and the late Provensens, who wrote my favorite picture book as a child: Our Animal Friends at Maple Hill Farm. There are others, but these are favorites. What are yours? Have you seen much lately? Assuming that, like me, you feel periodic insanity, what centers you and makes you sane?

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*Other Artist’s Way bloggers have been inspired by Kat’s Paws. I guess I can consider myself one if I just said “others.”

Visions of Swallowtails dancing in my head

I cut my finger pruning today, I was so eagerly (and glovelessly!) trimming the garden in the front yard and it was especially dangerous with Chas underfoot. Nothing serious, just a battle scar, a merit badge for my work. It felt invigorating to trim the seeded grasses and the long, thin dead stalks off the perennials; not unlike the liberation I feel whenever I have a thorough haircut and bound out of the salon, leaving piles of medium blonde locks on the floor behind me staring up at the ceiling like fish beached after a red tide.

I was surprised to find tiny green veins thriving inside much of last summer’s dried stalks. Seeing this as I explored each plant gave me all the hope I needed to dream of starting another garden this Spring with the kids. I thought of the new book I bought myself for Christmas, still waiting for me to put it to use: Roots, Shoots, Buckets and Boots by Sharon Lovejoy. Not for lack of inspiration, I bought the book to validate my eccentric enthusiasm about growing gnome-infested theme gardens and cultivating what land we’ve got to best use. Thinking of ideas, I took all the clippings and reduced them further, sprinkling them over the soil like little golden confetti.

While I dream of having another vegetable garden, we don’t have the means to create a large plot. We haven’t enough graded, sunshine-filled yard or protection from the deer and we sure don’t have the backhoe we’d need to cultivate a righteous bed atop the kaliche. But we have the perfect woods for little surprises, and a corridor between the house and the forest for a fragrant moonlight garden path (we had a resident bat last year). There’s room for a teepee, and I already purchased the heavenly blue morning glories for the tarp, and Mexican Sunflowers to play off the blue and create a haven for swallowtails. In fact, I am thinking of planting the entire meadow beside the driveway in a swath of yellows and white, a sort of homecoming parade.

As far as our land goes (where we are building, down the road), I still have to research rainwater harvesting, although I’ve been putting this off knowing full well that I’ll need a couple thousand to build a cistern, irrigation system and fence. Thinking ahead to another long hot summer, shopping for new fridge easily trumps those plans.