I am traversing the eastern slope of Fremont Open space, and I’m walking along a terrace once trafficked perhaps by laborers on this former orchard as they roamed from tree to tree during harvest. What kinds of trees? I don’t know. Today their gnarled, leafless, stunted silhouettes stand arabesque upon the hill above me, black and static amid the flowing grasses, beneath the hovering falcon. Birdsong travels like a current over the terrain, bees are busy buzzing in the clover mats, hummingbirds fighting in the treelimbs. I stop along the trail while Seti sniffs the newspaper; it’s Sunday and the weeds hang with dog pee here and there along the worn trail. The entire hillside is tense with new life. You can almost feel the warm ground quake beneath you, a mycelium overtaking winter’s rot, aerating the bedrock, paving the way for shooting rhizomes and weeds. Little yellow wildflowers sway with glossy grass. If I were to try drawing three square inches of this space I might scream; beneath the mat of green urgency lies an even tinier world, a lilliputian army of plants and fungi working together to hold the soil firmly against the hillside. A linear delight, it reminds me of Dutch painting and discovering the architecture of dandelions and drawing for hours on end, without interruption. But today I’m plodding onwards, at times tugging the dog to urge him faster, so I might get back to unpack yet more boxes, and break down more boxes, making space in the mudroom for this naked and young morning light to pour into our house and penetrate the walls with its warm yawn.
