Composting in the Rain

Despite my occasional irritations with way the boys continue to remain so close by my side, there are upsides to their lingering dependence on me. I can still redirect muddles between them by simply leaving the room, a perfect curveball. This morning, I quelled an escalating feud between them in the living room, one I was almost ready to fuel with my own frustration, by halting mid-step, turning round and retreating to the mudroom, where I silently baffled them as I put on my socks and boots and headed out into the yard. They watched me from the stoop as I opened the shed door, near the garage, and began excavating hoes, cultivators and shovels from an ethereal matrix of dusty cobwebs, spreading them like battle artillery, single-file, to rest along a low-lying branch. And within minutes, both were eagerly digging into the understory of a giant oak tree in the front yard, heaving shovelsful of composted peat into random piles around me.

Chas soon began to look for earthworms. Crouching over the dugout, in the space I’d carved beneath the tree, he picked fat glossy creepers between his fingers and carried them around the yard, through the house for a little while, taking them on a helpless tour of distraction before returning to my side. As if he’d forgotten it was still in his hand, Chas would ask to take another bath (perhaps his third?), doe-eyed and head tilted, and I’d look down at his hand to find another gleaming, limp, pinched annelid. “I wanna put him in the bathtub,” he’d say, quite matter-of-factly. And I’d have to disagree, smiling apologetically, as I turned the compost in the drizzling rain.

Order in the Pattern of Corrugated Cardboard

We’re still unpacking. The front entry to the house offers a mudroom, which we’ve cluttered with towers of broken-down boxes, and I have to climb over these in order to get in and out of my studio, which is also half-unpacked and, incidentally, chilly. In a former life, this room was a sunroom. Now, I have a pile of baskets in one corner, plastic binfuls of fabric, open boxes of different art mediums: an encaustics box, a box of kid’s art supplies (mostly kid-claimed art media made for grownups, since I insist they use the “real” stuff under my supervision), a box of stationery supplies, textile paints, watercolors, the list goes on and I wish it would never end, but it does. I’m short on space.

I’m finding a rhythm again with the kids, home-based, and feeling more stable. Last week I made a daily schedule, surprisingly fascist in its organization, and I started using it throughout the day as lifeline in this sea of chaos I sail with these two wildchildren. I noticed myself returning to the paper mostly during the early afternoon hours, reminding myself that it was quiet time, and following up with whatever needed to be done at the moment so that I’d stay on course. I found it oddly relaxing, comforting, knowing that this happens at such-and-such time and that happens at 2:30, so there was no guesswork or thinking on the fly about what to do next. For so long I’d been in transition-mode, hungry flotsam ready for anchor. It’s not enough to have the house, have the stuff, have the cars, and have the heat on. In my case, as with probably anyone, it’s not really home until you start to sink into the saddle and ride from the seat. Not quite autopilot, but operating more fluidly. Gracefully?

And I’m starting to feel like I’m home, as memory picks up and I am recognizing the seasonal shifts and nuances of the different habitat here. It has started raining periodically, like it’s supposed to. And the rain–it’s finally sinking into my head now–is not the torrential, melodramatic rain one is accustomed to in Texas, but instead a wispy, snivelling drawn-out weep, not unlike the vegetable misters in the grocery stores–that crisps the new fern fronds, standing attention over last summer’s spoils, and coaxes Spring out of the tips of each branch and stem and sleeping bulb. It smells like a florist’s shop, evergreen and eucalyptus, lily-of-the-valley, quince blossom perfection. We ate grapefruits off the tree in the yard, yesterday (delicious! like a sweet tart).

I’ve taken to a particular walking place that overlooks the bustling Silicon Valley. Today, a muddy trail where I did more skating than walking (and certainly not running). Rain has puddled in day-old hoofprints of horse and deer, a few lone large cat paws. Birds, everywhere; around a bend the quail
bolt in muffled exodus through the heather. It’s good to be connecting several times each week with the real natives of this paradise, hidden to the side of the sprawling concrete abandon of startups and box stores. We’re lucky enough to live close enough to it’s edge, in the agricultural transition zone, ripe with fruit trees and vineyards and borderline healthy air to breathe.

((sigh)) Back to unpacking…

Oooh, If the Dust Ever Settles in This House…

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A circuitboard made of white foam and leftover yarn that Ford’s friends made during his birthday party; Chas’ wild volcano painting, originally with volatile sound effects; A featherwreath adorned by Betty and Boo; Ford’s rock collection: “magic rock,” amethyst geode, coral from Galveston, birthday geode from CZ…

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Our Fall nature table. Little Ivy Elizabeth Walker, Ford’s favorite character last year from The Village, sitting on the resting rock in the middle of a little Hill Country glade; Burr oak and Post oak acorns from around town; Edwards limestone; Ball moss from everywhere around town; chickenfeathers and unknown native grass, what I pretend is a White-Tailed deer…

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at Ivy’s feet: “HEXAGONS!” that Chas found on our walk through the neighborhood (courtesy of a sunbleached, long-dead armadillo skeleton)…

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Gretel, another storybook favorite, plays cavalier atop Big Billy Goat Gruff; and no nature table in our house is grounded without a chicken.