A perfect fit into this week’s theme for Studio Friday: “PLAYTIME.” Even if it’s posted prematurely.
DJ Ford at the Westbank this Tuesday, no cover
I am sitting atop a five year-old blue area rug as the timid, gangly librarian greets us with her friend, the fifty year-old once-purple spider puppet. Her eyes are so tiny that I find myself searching for the person beneath them, and out it peeks with a nervous giggle as she shifts her weight in the chair. Awkwardly, I encourage Chas to sing the Itsy Bitsy Spider; it’s surreal to be repeating this same archaic fingerplay with my children. I’m tired of this, and I’ll not reminisce about this moment when I am sixty-four. The Itsy Bitsy Spider has hung around the waterspout way too long, it needs a new venue, to broaden its horizons. I suggest setting sail for the Spanish riviera.
Ford is being patient as I tolerate the spider song. He understands the pain; I think he feels it himself. He tumbles in breakdance acrobatics around the three other mother-child pairs, threatening their two year-oldness with his four year-old rebellion. One mother flinches as Ford jumps in her face. What is he doing?! But wait! This is his method, and it’s difficult being completely objective when reacting so easy. But I call him closer. He jumps back in my direction, clearly to tell me off, and I find myself flinching.
“These songs are not my kind of songs. My kind of songs are…,” his straw-colored curls bounce and his eyes flare, “the White Stripes, and the Strokes, and Beck, and Kings of Leon….,”
Blood flushes to my face, and I find relief when I realize these mothers probably have never heard of Kings of Leon, much less trained their ears to understand the slurred lyrics (not that Ford has),
“…this music is na-nee na-nee BOH-ring…”