we’re thinking of buying tickets to hell

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We’re a little culture starved around here, snug within the benign mycelium of silicon valley. Granted, if I’d just know where to look around here, I’d find something interesting on exhibit. But the truth is that I’m just acheing to go to a fussy art museum where I can feel the music of terrazzo under my feet and experience air conditioning without a trace of retail and ride that fabulous chase from security guard to security guard, close behind Chas, always on the fringe of expulsion as he tries to weave fast arcs around freestanding sculptures. Art is, after all, mostly about the personal experience one has with the piece, and with Chas there is no exception. He loves sculpture, it FASCINATES him to discover giant colorful pillars shooting from the ground or brushed-steel geometry shining in the sun. OH! The joy! Must scream and run circles around them all!

There’s one exhibit in particular that I’m planning on taking them to see sometime soon, the Matisse exhibit at the SFMOMA. Ford is a collage guru and I figure it might provide a springboard for translating some of his 2D work into a new dimension; specifically, creating something 3-dimensional that his younger brother might be tempted to play with (especially if it’s made of paper or papier-mache). But again, really, I’m just sad that we haven’t been able to go for so long, for fear that we might die during the struggle to patiently corral our children politely through a quiet space for art.

I think it’s more important that they experience art from a very young age for several reasons. First, I think it’s fun for them to see how some people have translated emotions or themes into art. Secondly, I like for them to understand the value and purpose behind the art process. Thirdly, I want them to grow to respect the work of others as well as their own art, because the enduring value of art is that it has the power to change the future in many ways: it can alter a person’s perspective, create controversy, quiet a restless mind, you get the idea. Lastly, I want them to evolve quickly within the rigid confines of the art museum institution so that they naturally respect that paticular environment as they would a shrine, an that is mostly because I’d LIKE TO ENJOY THE MUSEUM, TOO.

So, this weekend I’ve requested we pay the MOMA a visit, take our chances, hope for the best. There’s a book I heard about that recommends certain tips for taking 5 year-olds and older children to the museum, How to talk to children about art: is the title. As an art teacher, I feel qualified enough to come up with my own suggestions (which, in all it’s conceit, is actually true) but I’m still curious about what it has to say and am ordering it anyway.

Wish us luck! Double that for the MOMA.

Easter weekend

It rained last night, throughout the night and into the morning, until the sun poked through the snivelling stratus and proclaimed that it was no longer a time of grieving. So the rain packed up and moved eastward, I’m told. And in its wake, the starlings came back out of hiding among the ivy boughs, and the quail promenaded atop the dewy lawn, properly.

For the past three weeks we have had occasional rains, and each time the pitter pattering begins above our heads on this old roof, we tell ourselves, “This is the last rain of the season.” That was the last rain of the season.

Speaking of proper, this is a blog where I am obliged to to log a chronicle of events, and I missed the holy weekend of Easter. I’ve been called on this, so let me indulge you people on what you missed, heretofore two weeks.

Alis threw Seth an Easter rager. Thirty-odd toddlers turned every stone and log looking for eggs and chocolate on the Whitman commons that straddle Skyline ridge. She spent the week beforehand sewing fleece easter bunnies and dying eggs in pots of boiled beets and onionskins and cabbageleaves. On other nights, she wrapped heirloom seeds in tulle and tied them to colorful tongue depressors, and when she was busy wrapping little pots of violas and wheatgrass with tissue paper and hand-painted yarn, she enlisted friends to string wooden beaded bracelets into the wee hours or, as in my case, stand in her kitchen, slackjawed and dumbfounded, to gawk at all the hard work she really put into this fete while she dyed yet more gorgeous eggs.

Which is all to say that my boys cared neither here nor there about any of this, on that particular day, the day of the hunt, as they poked and prodded through the Lamb’s Ears and Lilies until they found all forms of chocolate, but that we girls, and by that I mean me( because I was trying not to notice my younger competition) secretly dashed through the garden like a pixie, collecting shiny glass beads and seed packets, purple-and-orange violas and wheatgrass pots, slipping them inconspicuously into Chas’ easter basket while he gorged on his gold, his precious chocolate. Occasionally I’d urge him to pick up a seed packet that I’d found, and he’d probe the entire area first for chocolate, certain that I had scouted for nothing other, and finally reach for the only thing hidden in the foliage, which was indeed the seed packet and which he indeed picked up. For me!

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And so, with seeds to plant, I’m faced by the bare patches of three quarterempty flowerbeds, spared just for such purpose, and the blank face of a front and back yard, freshly plowed by a thirty year-old and rusting tractor with a likewise rusted and ringing plow, just days ago before the rain fell. I see mounds upon which to plant two to three ppumpkins seeds apiece. Give or take a melon.

I have tenacious, hard callouses on my hands from three weekends ago, when we spent the rest of Easter weekend in Pebble Beach, playing drunk barefoot tennis doubles into the black of night. I’m not sure how I didn’t bleed through my feet by bedfall, on those heavy, luxurious sheets; on the contrary, my feet tingled as if they’d been freshly shorn of three old inches of thick hide. Perhaps they were?. Indeed, the rest of me felt that idyllic; it’s fun having rich friends with third homes nestled in the surreal beauty of California’s monterrey bay peninsula. We drove home along the coastal highway bisecting the prim acres of golfing lawn and the rugged, emerald blue jumble of ocean and guano-stained rock and the white froth of my amazement. Acres upon acres of blooming artichoke and fruiting strawberries, laborers scattered along the endless rows that stretched inland, hunched over the produce like props. Surreal produce signs with enormous specimens that seemed to shine from the light of the sun itself, which glared down sternly upon us as we shook off the two day hangover that only an irresponsible weekend in someone else’s mansion in someone else’s neighborhood could bring.

SPC: Flickr tools #2

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With little difference to the stiff neck I felt yesterday morning, I drove the kids down to the beach. All the elation that nearly winded me on the drive down to Half Moon Bay fizzled once I started lifting Chas out of deep tide pools and stretching to capture fossils embedded in the rocks. I remember the swirling panorama of beached seals and hungry surf, thinking, This is a very bad place to be with a stiff neck and two exploring preschoolers.

So I let both of the kids clamber their way back to the beach on their own (Chas is getting surprisingly nimble) and then rested in the tent while they bouldered and threw rocks at the incoming tide. This overexposed shot is taken from my little infirmary. I like the way it captures the heat, unforgiving light and pain (although I might be the only one to look at this picture and feel it). It also has a nice retro tint. What’s your impression? I’m obliged to use these flickr tools for SPC’s current challenge but I’m not sure I’d use these tools in my own. It lacks authenticity. Not sure I like that, although it has a home somewhere.

My advice to anyone waking up in the morning with a stiff neck is to traction yourself to a board for the rest of the day and hook yourself up to an IV and catheter. Don’t drive a long, winding road to the beach, set up a tent, wrangle children across the rocks at low tide and then press reverse. That was a recipe for disaster. Damon says it wouldn’t matter; that the muscle would spaz no matter what.
I wonder if he’s right.

If you want to learn more about online photoediting tools , check out a gallery exhibiting some at SPC.